In collaboration with artist, OG Slick, along with legacy contemporary Chinese gallery, Longmen Art Projects, we assisted in bringing to life this incredible piece of art. Electroplated gold polished chrome on cast copper was made in both a 2 foot (edition of 5) and 4 foot (edition of 1) for exhibitions and discerning art collectors.

Richard Wyrgatsch II (b. 1967), better known as Slick or OG Slick, is an embodiment of evolution in the graffiti art world. Starting as a rebellious voice against the establishment, his LA Hands and Love Gloves series stand testament to his lasting impact on graffiti and street culture. Not just limited to graffiti, Slick also boasts credentials as an influential streetwear designer for brands like Fuct, Shaolin Worldwide, and Dissizit. One of his most iconic works is the album cover for The Pharcyde's "Bizarre Ride to the Pharcyde", solidifying his influence in multiple domains of pop culture. As the art world continues to morph, Slick's vision remains unfazed, dedicated to making larger-than-life, impactful statements. Whether in street art, sculpting, or streetwear, his message is clear: "I want to evoke an emotion." As art world continues to evolve, Slick's dedication to the raw essence of graffiti remains, hoping to bring authenticity back into the limelight.

In Money Mouse, artist OG Slick presents a sculptural critique that interweaves personal history with cultural iconography:

As a child, I remember seeing figurines at the register of stores in Chinatown covered in money. My mother explained to me that it was to bring good fortune to the shop owner and to whoever left the money there. ‘Money Mouse’ depicts one of the most iconic characters from my childhood （Mickey Mouse）as the Guan Yin, the Goddess of Compassion, being showered with gold coins, bringing good fortune to the highest bidder.

OG Slick’s oeuvre is marked by a penchant for subversion, often employing parody and satire to challenge prevailing narratives. Money Mouse stands as a quintessential embodiment of this approach, melding the familiar visage of Mickey Mouse with the sacred imagery of the Thousand Hand Buddha. The sculpture’s gestural language, particularly the hands over his eyes, suggests a willful ignorance to the lies, while the “X” behind his back indicates a cognizance of underlying deceptions. This duality captures the essence of OG Slick’s artistic vision, offering a layered commentary on the complexities of perception and reality.